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Crying Men
This is a photograph of Hayden Christensen crying it is from a series of photographs of famous men crying for the camera. These photographs are very similar to the videos by Lydal Jones. Like the images by Lydal Jones they explore the emotion of crying, with these photo's you also can't tell what has caused these men to cry.
Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say
'I Have Been Certified as Mildly Insane!' (1992-3)
This is a photograph from a series of photographs called 'Signs...' The series of photographs shows the responses which Wearing elicited from passers-by, whom she selecte at random, and asked to write their thoughts on a piece of paper.
Confess All On Video. Don't Worry You Will Be in Disguise. Intrigued? Call Gillian Version II (1994)
In these videos a series of participants responding to an advertisement in Time Out magazine, took up wearings offer to make their confessions on camera.
From these videos Wearing raises questions about the motives behind a confession. Disguised the participants were to tell the truth about things to which they would never admit in daily life. At the same time they could invent flamboyant lies without being caught.
I think this is a good way of getting insight into the things that people keep secret and carry with them in their daily lives without telling anyone. It also gives an insight into the types of lies that people make up, even though you never find out if they had lied or not.

Dilate (2003)
Dilate is a panoramic video and sound installation which encircles the viewer with projection screens. The screens pan in and out of significant details of immersive 360 screens, reflecting how our shifting sense of self informs our perception of space and visa versa.
"Faced with an open vista of a majestic natural landscape, we can feel liberated, isolated or paralysed; as part of the city, anonymous, identified or alienated; in the domesticity of our homes, safe, confined or overwhelmed; in a virtual network, empowered, remote or victimised." Dilate is dramatic and multifaced in its flow of images.
I really like the sound of this installation and the way that the viewer becomes enclosed, surrounded by these panoramic views. This piece is also quite sculptural as it can be viewed from a distance and from inside the screens.
This is a still of a video taken from a scene in the move 'American Beauty'. When we first started this project it was the first thing that came to mind, in the film it seems a bit stupid, but I think it's actually quite good. I think it's the simplicity of it that makes me like it so much, a plastic bag moving with the direction of the wind; in the film it is described as "the most beautiful thing in the world". I was reminded of this scene again when I was in town the other day, the wind was very blustery and there was this plastic bag just blowing around with some leaves that had fallen from the trees around. I think it would be good to film something that you had no control over what was happening or what the outcome would be.
The essence and structure of Douglas Gordons work is heavily based on opposites: good/bad, saved/damned, right/wrong, light/dark. He also likes to manipulate his images to change how we perceive them by layering images, changing the speed at which something is played, using mirrors/reflection and multiple screens. Touching also on recognition/repetition and time/memory. His work seems to explore the viewers psychological relationship with the moving image in his videos. Most of his work seem to have psychological elements, leaving the viewers to think about the psychological affect it has on them.

Willie Doherty's video work of the man forever running creates a sense of fear and of being trapped. The fear is shown through his facial expressions, the man is continuously running, but never reaches his destination. This is as a result of the film being played on a continous loop.
Words that come to mind are: fear, trapped, lost, panic, terror, horror, escape and desperation.